Even though Maricchia had all the qualifications of a good
wife – “her fine linen in a chest and her good land under the sun” (3) – no man
wanted to marry her because of her mother. Pina’s undesirable reputation held
her back. Once Nanni married Maricchia, he realized that he still had to tolerate
Pina, which made him unhappy in the relationship. If Pina were to have left the
couple, they may have had a happy marriage, but she could not suppress her
temptations and neither could Nanni.
Most of the
town hated Pina because of her promiscuous ways, but Nanni could not resist her.
Nanni and Pina’s relationship has many similarities to that between Fosca and
Giorgio in Tarchetti’s Passion. Fosca
is a woman with an ugly face, but beautiful hair and eyes. Verga’s description
of Pina includes “superb tresses” (7) and the “[eyes] of the she-wolf, whenever
they peered into his, they made him lose his body and soul” (8). Also, Maricchia has
a role similar to Clara’s in Passion; she
is the obstacle between the two lovers who think they should be together.
Verga could have been making a
statement about Fosca, as he wrote “The She-Wolf” several years after Tarchetti
published Passion. Verga believes
Fosca should remain an ugly character through the end of the novel. In the conclusion
of Passion, Fosca becomes a more
relatable character once Giorgio falls in love with her, but according to Verga,
the man should resist temptation and stay faithful to his wife.
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