In Lampedusa’s short story, “The Professor and the Siren,” there are
integrated realistic and mythical elements. The protagonist, Paolo Corbera,
befriends an intelligent and demeaning senator who claims to have had intimate
relations with a mythic Siren. The senator’s arrogance stems from his
belief in his forthcoming immortality.
He believes himself superior to humans and earthly pleasures, because he
does not fear death and has experienced superhuman, carnal ecstasy, initiating
his condescension to the whole human race. The senator exhibits his extreme
haughtiness by constantly degrading “you people” (65). He sets himself apart
from the human race, and negates the knowledge of the world’s greatest
intellectuals, saying, “I shall stop my ears to avoid hearing the nonsense of
those (congressmen)” (71). His displays of supremacy arise from the assurance
of immortality he receives from the Siren. The Siren “had shown (him) the way
towards true eternal repose,” and, unlike other humans, he is not afraid of
death. He treats their fear of dying condescendingly, saying, “always the same,
you people, slaves to decay and putrescence, always with ears strained for the
shuffling steps of Death. Poor devils!” (72). Additionally, he believes to
engage in worldly, sexual pleasures would be degrading to his status as an
immortal’s lover. He asks Paolo to “please do me the favour of being convinced
that the sordid pleasures of you people have never been Rosario La Ciura’s”
(68). He considers himself above
humanity’s natural urges, because his experiences with the Siren caused him to
develop “an asceticism derived not from renunciation but from an incapacity to
accept other inferior pleasures” (83). The Senator’s romance with the Siren
instigates his belief that he is superior to the human race, destined for
another world, and it commences his rejection of humanity.
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